
BIOGRAPHY
During the 2024/2025 season, mezzo-soprano Sophie Gallagher will make her debut as Sesto in Mozart’s La Clemenza di Tito in a production by Benoît De Leersnyder, under the musical direction of Korneel Bernolet, at deSingel in Antwerp. Other season highlights include her engagement as the mezzo-soprano soloist in Pergolesi’s Stabat Mater with the Orchestre du Capitole de Toulouse, conducted by Ton Koopman. In June 2025, she will make her solo debut at the Concertgebouw in Amsterdam as the Second Witch in Purcell’s Dido and Aeneas, performing alongside the ensemble Il Gardellino under the musical and dramaturgical direction of Korneel Bernolet.
Sophie has performed roles such as Emmie in Britten’s Albert Herring at the Maggio Musicale Fiorentino (Jonathan Webb/Alessandro Talevi) and First Witch in Purcell’s Dido and Aeneas (Harry Bicket/The English Concert) at the Opéra de Lausanne. She also portrayed Rachel in The Song of the Ladder by John Barber, a world premiere broadcast on RAI in June 2024. As an artist in residence, she starred in Peregrin and the Giant Fish, a film produced by Pinacoteca Brera Musica in Milan, which was screened in cinemas across Italy.
Equally passionate about opera and concert performance, Sophie was awarded First Prize at the 2021 Gustav Mahler Competition in Geneva alongside duo partner and pianist Émile Chandellier. She regularly collaborates with the ensemble Gli Angeli, and their recent interpretation of Bach’s St John Passion at Victoria Hall received critical acclaim: “The young Sophie Gallagher possesses all the vocal qualities required for this repertoire—a rounded voice with a fruity timbre” (Le Temps). This artistic sensitivity is also reflected in her recording released by Claves Records. In the UK, Sophie has given recitals at the Queen’s Gallery, Buckingham Palace, and has appeared as a soloist in numerous oratorios, including Schütz’s Christmas Oratorio at St John’s Smith Square.
From an early age, Sophie studied voice, cello, piano, and organ at the esteemed music schools of Salisbury Cathedral and Wells Cathedral. She later devoted herself entirely to singing, earning a Bachelor’s degree from the Royal College of Music (Josephine Baker Prize) before pursuing a Master’s degree at the Haute École de Musique in Geneva, where she studied with Heidi Brunner and Nina Uhari, and privately with Raymond Connell (UK). She continues to refine her artistry, working with KS Michael Schade, Michèle Losier, and Nenad Marinkovic.